In-house postvis supervision for the iconic Henson/Netflix production. Development of the Dreamfast look which ultimately informed the prologue. Design of Pluff'm ‘darkening’ effect. Postvis of the Carriage chase. 10 months of temps and finals.


The Dark Crystal : Age of Resistance

Overall Supervisor Sean Mathieson interviewed on artofvfx.com

”Postviz was a bit more extensive for the sequence, choosing the BG plates that would fit the FG puppeteer and carriage footage. We used an in-house team from TPO for the postiz and were able to define 90% of the BGs required for the 5 minute sequence.

TPO also did some postviz work on the Dreamfast sequences using a completely 2D approach in Nuke. While this didn’t end up being the technique we used for the Dreamfast, we did use some of the ideas they developed in the Prologue”

 
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The King's Man

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The Kid Who Would Be King