TPO VFX is a boutique artist-led visual effects company based in London
We provide post-vis and polished VFX finals for Film and TV, both in-person and remote.
“ .. when I brought Matt onto the team he immediately had an understanding of what I required and set about introducing his own ideas into his shots to enhance the look and build the illusion of Belfast in 1969. The post riot scenes were greatly enhanced by the helicopters Matt added, not only visually but their presence also allowed the sound design to add another level to the oppressive atmosphere they were trying to create. The bus returning into the terraced streets of Buddy’s neighborhood was a Matt Tinsley classic and the stand out VFX shot in the movie epitomised everything VFX brought to the look and feel of “Belfast”.
Matt Glen - VFX Supervisor - Belfast - 2022 Winner BAFTA Film Award - Outstanding British Film of the Year
Toss a coin to your Witcher!
We’re so excited for The Witcher Season 2 Ep1 to be awarded the Special, Visual & Graphic Effects award at the BAFTA TV Craft Awards 2022
TPO VFX played an integral part in creating the world of the Witcher Season 2, forming part of the in-house team that delivered over 500 final VFX shots.
Congratulations to TPO’s Jack Hughes, on-set and in-house VFX supervisor with senior in-house compositors Ed Plant, Russell Horth and Cameron Smither.
A massive thankyou to Dadi Einarsson and Gavin Round for having us along for the ride!
“It was great to work with TPO on The Witcher Season 2 from shoot to finalling shots in post. Jack was invaluable on set with his experience and positivity. He was always proactive and ready to help problem solve.
I would highly recommend Jack and TPO and they would be top of my list when setting up a shoot supervision and in-house comp team.“
Dadi Einarsson, VFX Supervisor of The Witcher Season 2
“They provide invaluable input into the creation of the film. The standard of their work from temp shots, through to film finals, is exceptionally high.”
Mara Bryan, Overall VFX producer and Supervisor, The Kid Who Would Be King, Ear for Eye and No Time To Die
“LOVED working with you! B25 (No Time To Die) was such a whirlwind of a project with a lot of unusual challenges...but you and your team did a fantastic job and were so pleasant to work with. Your positivity was inspiring to be around and, for that, I'm grateful.“
Tom Cross, Academy Award winning Editor of No Time To Die
“Postvis supervision by Matt Tinsley was used extensively during the shoot to fill in greenscreen holes and to clarify our VFX intentions for later on.”
Steve Begg, VFX Supervisor of Spectre and Skyfall - Animation World Network
"We also had a little in-house team called The Post Office (TPO) which did postviz. They postvized about 600 shots, which kept visual continuity from previz to postviz, ...it really helped."
David Vickery, VFX Supervisor and Creative Director of Industrial Light & Magic (ILM), Jurassic World : Fallen Kingdom - Cinefex 160
Read more about about our work on Jurassic World : Fallen Kingdom