TPO VFX is a boutique artist-led visual effects company based in London
We provide post-vis and polished VFX finals for film and tv, both in-person and remote.
“It was great to work with TPO on The Witcher Season 2 from shoot to finalling shots in post. Jack was invaluable on set with his experience and positivity. He was always proactive and ready to help problem solve.
I would highly recommend Jack and TPO and they would be top of my list when setting up a shoot supervision and in-house comp team.“
Dadi Einarsson, VFX Supervisor of The Witcher Season 2
“They provide invaluable input into the creation of the film. The standard of their work from temp shots, through to film finals, is exceptionally high.”
Mara Bryan, Overall VFX producer and Supervisor, The Kid Who Would Be King, Ear for Eye and No Time To Die
“LOVED working with you! B25 (No Time To Die) was such a whirlwind of a project with a lot of unusual challenges...but you and your team did a fantastic job and were so pleasant to work with. Your positivity was inspiring to be around and, for that, I'm grateful.“
Tom Cross, Academy Award winning Editor of No Time To Die
“Postvis supervision by Matt Tinsley was used extensively during the shoot to fill in greenscreen holes and to clarify our VFX intentions for later on.”
Steve Begg, VFX Supervisor of Spectre and Skyfall - Animation World Network
“TPO is a LIFESAVER! Absolutely essential to editorial. I can’t imagine having done Spectre and Skyfall without you.
You’re my GO TO team. ”
Leslie Lerman, Overall VFX Producer of Quantum of Solace, Skyfall and Spectre
"We also had a little in-house team called The Post Office (TPO) which did postviz. They postvized about 600 shots, which kept visual continuity from previz to postviz, ...it really helped."
David Vickery, VFX Supervisor and Creative Director of Industrial Light & Magic (ILM), Jurassic World : Fallen Kingdom - Cinefex 160